And because it's reading week this post
will be a short one. To compensate, I made some rather uneventful
videos on the arctic blast, which I have been sharing with some of
you on a one to one basis. In lieu of a literary disclosure of normal
proportions I will also post some random photos I've taken in the
last few weeks.
Otherwise, all I have to relate is a rather odd
little tale about the Asian woman I've seen around on campus, who
turned out to be Japanese. I got talking to her on Thursday and
discovered she is a master's student studying psychology who also
lives in my block. After chatting for a couple of minutes she asked
if I would come to her poetry recital at The Harp Inn. To be honest,
I didn't much want to hear a new acquaintance recite Japanese poetry
but I agreed anyway and asked when her spot was and she said 9.00 PM.
I duly arrived at 9.00. She was outside having a cigarette and
confirmed she was just about to read her piece, so I went in,
purchased a pint of cider (£2.50) and sat down at a table.
In the
far corner there was a large table a DJ had all his equipment laid
out on, a turntable and large digital contraption. She went and sat
beside him and for the next 37 minutes saying nothing and avoiding
eye contact with me. A couple of times she got up to talk to other
people, though. There was a silent European film about witches and
monks in sepia on a screen behind them and that and the hypnotic
music was the only thing I had to engage with. Nobody else was
reading poetry and there was no microphone visible, or captive
audience who looked like they were waiting for a performance. My
fellow mature student resident of St Mary's never approached me to
talk, either, and finally she got up to go out for another cigarette.
As she walked right past me she gave me a strange look, as if I was
some unwanted dog hanging round for scraps. Having finished my drink,
I went to the loo and left, mystified.
I've turned in my film essay. According
to the essay guidelines we have to quote from AT LEAST 9 recommended
books on screenplay theory which we are somehow supposed to acquire
and read in the month we were given to write the essay. (I couldn't
read 9 books in a month if I did nothing else). As it turns out, I'm
not sure I read one full page of a book, the first three weeks were
just spent thinking about doing the essay and when I found
myself with much work to do on the day it was due I just did my
normal trick of opening a book at random and looking for a sentence
or two to reference. I don't think the trick will work this time, so
I'm going to predict a mark of 60.
There is also an essay about The Battle
of Maldon, an Old English poem about...The Battle of Maldon, which
took place in 991 to do by March 9th. The poem's log line: We
are so kicking ourselves because we had a tactical advantage that we
threw away. Happens every week on the football field, but in the
old days it involved being sliced to pieces.
The Fiat Punto survives the arctic blast
Japanese poetry, or not (It was darker than this, camera has over compensated)
Temperatures were just below zero during the day, but there was very little snow in Bangor
My workspace
Found in Catherine Rullens's poetry seminar
Night shopping with Emma (my car, not my ex)
Snow on mountains in background
Bangor town from university
On a Snowy mountain road in January
Here's my take on the mysterious Japanese woman:
ReplyDeleteOption A: She figured you were more a Paul man, than a John. Think about it.
Option B: There was some situation like a guy there that she didn't expect to be there and she didn't want to associate with you in front of him for relationship/drama reasons. Perhaps her strange look was by way of unspoken apology for having to blank you. The fact that she never even performed the recital suggests some kind of change of plan.
Option C: She's just a total sociopath.